In photojournalism, itâ€™s all about using pictures to tell the story. I approach every assignment the same way, asking myself, â€œWhat tools will I use? Will I use still or video? How am I going to tell this story?â€ More recently, Iâ€™ve been asking myself new questions: â€œWill I use the Ricoh Theta? Will the story benefit from a 360-degree view?â€
For a photojournalist, thereâ€™s a kind of magic that happens when you know youâ€™ve got The Shot. Itâ€™s when everything just comes together â€” the composition, the colors, the light, the exposure. Years ago, it was much more challenging. We used to have only 36 frames of film in our still cameras to get that shot. Today, I have an entire 32GB card. I have more opportunities with my digital cameras to get that perfect image.
I started using the Ricoh Theta S right before I traveled to New Hampshire for the presidential primary coverage in 2016. Gannett purchased a suite of cameras for its photographers, and I decided the primary was a good test bed. I immediately realized that the Theta S is a powerful tool for a pro, putting your viewers in control of what they see. And it puts them in the center of the action. It especially lends itself to photojournalism.
Mastering the Theta S takes a little practice, and youâ€™re only going to figure out what works by trial and error. Almost from the start it became clear that I had to be in the middle of the action. This can be counterintuitive for a photographer used to shooting from the sidelines. It also helps if the action is happening within a foot or two of the camera, especially if the end product will be viewed on a smaller device like a phone. Thatâ€™s a huge learning curve. But having the subject matter in close proximity makes these images that much more impactful.
The Theta S is always in my camera bag, and I take it out when I want to bring people into the middle of a scene, and allow them to look around. The resulting 360-degree image or video allows the viewers to use a finger or a cursor to pan totally around a scene, as well as look up or down. They can see so much more than in a flat photo. Itâ€™s a lot of fun for our readers, and itâ€™s also been a lot of fun for me to experiment with a new medium.
A few assignments that come to mind where the Theta S absolutely made sense were the balloon drop at the Republican National Convention; the St. Patrickâ€™s Day Parade; a college basketball game; and a horse race called the Haskell, where I mounted the Theta S on my video cameraâ€™s hot shoe and used the Theta S footage to produce a â€œbehind-the-scenesâ€ video while I was shooting the event.
A major side benefit to 360-degree imaging is that viewers will spend time on that photo or video when itâ€™s posted online. For a media outlet in todayâ€™s web world, we want our readers to stay on the page as long as possible. With a regular photo, theyâ€™re on it for a second or two. With a Theta S image, theyâ€™re looking for much longer.
A lot of the pictures Iâ€™ve gotten have been surprisingly cool. Itâ€™s something you wouldnâ€™t imagine; for example, the flag image was edited out from the video I shot of the St. Patrickâ€™s Day parade. Because the image shows a 360-degree view of marchers holding a flag, when posted as a simple still, it becomes a really interesting symmetrical scene. When I was shooting the parade, it wasnâ€™t even in my mind that it would work out that way. But the Theta S was absolutely the right camera for that picture.
I am looking forward to more experimentation with Ricohâ€™s Theta series of cameras and especially to shooting more video with it, as new, higher resolution models come to market. The resulting imagery is a powerful complement to my â€œtraditionalâ€ stills and videos, allowing our readers to immerse themselves in a newsworthy moment. I consider Theta a critical tool in my photographerâ€™s toolkit.
To view 360-degree still images related to this article, visit https://theta360.com/ users/184431.