Istallation view from EMMA (Espoo Museum of Modern Art), 2009 A small boy struggles to don a red shirt. A little girl spins and dances, engages the camera, forgets it. A woman alone in a room with a camera shifts in her chair, changing her expression as she falls in and out of [...]
Andrew D. Bernstein is recognized as one of the most important sports photographers working today. Though he is a master at capturing action, he is also a highly skilled portrait photographer. His gifts for composition, lighting and timing have resulted in some of the NBA’s most important and iconic images. Since 1986, Bernstein [...]
At age 78 and still going strong, Rich Clarkson has been a force in photography since the 1950s. Always a stickler for excellence, he was known as a tough boss to work for but one who would make you a better photojournalist. A book produced for a July 2010 reunion of 34 of his photographers at the Topeka Capital- Journal says it best: Rich Clarkson touched our minds, hearts and souls in ways that nobody else ever did. Fear became respect. Respect became admiration. Admiration became friendship. Friendship became love. We all owe Rich more than we can tell or show — except by what we’ve done after we left the Topeka Capital-Journal. The long list of legendary photographers who worked for Clarkson includes Susan Biddle, Brian Lanker, David Alan Harvey, Rod Hanna, Chris Johns, Sarah Leen, Jim Richardson, Gary Settle, Bill Snead and many more.
Ken Light is a social documentary photographer in the classic sense, shooting exclusively black-andwhite film. He photographs people who otherwise would never be seen or heard. You might think Ken is a dinosaur in a digital world, but in fact, he is a professor in the University of California at Berkeley’s cutting-edge graduate photojournalism program. Light’s latest book, Valley of Shadows and Dreams, [...]
Making an appointment with a photojournalist is a challenge. David Burnett never knows where his next job will take him or when he will depart. This has been the life of one of America’s most accomplished photojournalists for over 40 years. His portfolio reads like a history book — the Vietnam War, the revolutions in Chile and Iran, the fall of the Berlin Wall. He has photographed presidential campaigns since the 1970s and all of the presidents from Kennedy to Obama.
Their soft, black bodies covered our arms, legs and feet, and a little way into the valley, the pain of the wounds forced us to stop to pull them off our entire bodies. These stops soon began to feel like a matter of survival. Every 20 minutes I peeled some 50 leeches off me, a mixture of blood and sweat covering my arms and legs.