My adventure into video started in the early 2000s, when non-linear editing programs like Final Cut Pro and Avid became available for desktop computers. Much of the work was still standard definition, and I was using the Sony PD150 — an affordable mini tape camera for documentary projects. (Important projects were still shot on expensive, professional full-size shoulder video cameras.) The PD150 had tiny chips that were not especially light-sensitive and created a “PD150 look” of deep depth of field — not very cinematic. In other words, everything was in focus all the time. The high compression of the mini tape cameras left something to be desired in image quality as well.